“The Fearless Girl” and the Importance of her Fearlessness: Gender and the Boardroom
Today’s post departs from the usual approach adopted here in
Financial Regulation Matters.
Usually, we will discuss elements within business and regulation that are breaking,
have a guest post, or we will preview forthcoming articles and books from this
author. Usually, the posts are not written in first person, but in this post I
will use that approach to discuss why the “fearless girl” statue is the focus
for this post.
I have visited Manhattan on a number of occasions, and those
close to me know that New York City represents something very special to me.
Quite often, when visiting the city, I will take a trip to Wall Street and take
in the surroundings. One element that is often on my to-do list is to take a
look at the legendary ‘charging
bull’ statue located near Battery Park and Wall Street. Whilst the
location is prime, it is worth noting that the original location, as placed by
the statue’s creator Arturo Di Modica, was directly
outside the New York Stock Exchange (we will discuss location later
on). The statue, as a piece of art, brings forward a number of emotions.
Despite the many tourists who visit the location of the statue and have their
pictures taken with it (some, for some reason, have their pictures taken behind
the bull which is a sight to behold, mostly out of confusion!) – it has been
said that the statue is ‘one
of the most visited, most photographed and perhaps the most loved and
recognised statues in the City of New York’ – the statue is
particularly thought-inspiring. An
article in Business Insider
talks of how the statue can be both seen as a symbol of the ‘strength and power
of the American people’ (according to Di Modica), ‘an image of a surging market
in the lore of high finance’ (according to a New York Times article published
not long after its erection in 1989), or a symbol of America’s ‘money, power,
greed, or high finance’. It is probably telling that, perhaps, all of these
statements are true. Personally, the charging bull represents strength,
determination, but also represents a forward-moving mentality that arguably
defines the city itself. The global domination of American finance, centred in
the City, is perhaps perfectly illustrated in the poised posture of the Bull.
Irrespective of what it means to every individual (a ‘selfie’ opportunity or
meaningful piece of art), it is indisputable that it is impactful.
However, on the eve of International Women’s Day in 2017,
State Street Global Advisors commissioned Kristen Visbal to create and erect a 50-inch
statue named ‘Fearless Girl’. The statue was originally erected directly
opposite the ‘Charging Bull’ and attracted much attention. State Street suggest
on its website that the statue generated over 10
billion social, print, and digital media impressions. Di Modica
himself however protested against the erection of the statue, not on the
grounds of its connection to gender equality but in relation to the artistic
integrity of the ‘Charging Bull’ – he argued that ‘contrasted
with the soft, altruistic characteristics of the bronze girl… “Charging Bull”
now appears menacing and aggressive’ (quote taken from The Washington Post and not Di Modica).
It was also suggested that State Street’s connection to the statue was borne
out of a marketing campaign for its ‘SHE Index’, with the plaque at the feet of
the ‘Fearless Girl’ reading ‘Know the power of women in leadership. SHE makes a
difference’. State Street responded by arguing that this was not the case, and
that in fact the company has been a vocal supporter of gender equality in the
financial sector, with three of its 11-member board being women; Stephen Tisdalle,
State Street’s Marketing Officer, stated that ‘what
this girl represents is the present, but also the future… she’s not angry at
the bull – she’s confident, she knows what she’s capable of, and she’s wanting
the bull to take note’. It is widely stated that art is supposed to
inflame thoughts, expression, and debate and it is certainly the case that
these two pieces of art do that.
Yet, when I first saw the opposing statues it left quite an
impression. The young girl depicted by the statue demonstrated defiance,
resilience, determination, and most of all courage. Her juxtaposition against
the Bull was clear, which perhaps supports Di Modica’s argument. Her diminutive
stature was overshadowed by her poise and direction, making the statue particularly
impactful. However, on the 28th November 2018 the ‘Fearless Girl’
was removed from the location opposite the Bull and moved to the pedestrianised
zone directly opposite the New York Stock Exchange. It was suggested at the
time that this was done on safety grounds, owing to the popularity of the two
statues and the busy nature of the traffic on that intersection. It
was also suggested in April of last year that the Bull would be moved to
outside the Stock Exchange alongside the Fearless Girl but, for one
reason or another, that has not happened – one may be lead to question why it
was for the Fearless Girl to be moved on safety grounds, but not the Bull who
is apparently one of the most photographed icons in the City. The Executive
Vice-Chairwoman of the NYSE welcomed the Fearless Girl, stating that ‘we
see [in her] our daughters, mothers, nieces. She represents potential, progress
and hope, but also all the women who have fought for equality before us’.
Now, the Fearless Girl resides directly opposite the NYSE and, as you can see
from the picture for this post (picture courtesy of Danielle Smith).
The Fearless Girl, standing opposite the NYSE, to me now
takes on a whole different character. When she was facing the Bull, it was very
contextualised against a symbol in the Charging Bull. Now, however, she is
standing opposite an institution that is a real representation of American
power. The NYSE has a long and storied history, and its role as a facilitator
for moving money around, from, and to the American economy is unrivalled in
terms of financially-related icons in the American psyche. Now, the Fearless
Girl stands, hand on hips and with her head raised up towards the iconic
building, fearlessly. Art is defined
by the individualistic effect that it has, and I am certain that the statue
will elicit different reactions which is tremendously positive. When I visited
earlier this month, I was taken aback by the change in her appearance within
the new context. It is very much a parallel understanding, but she appears to
be much smaller in the new context, but at the same time she has grown
immeasurably in stature. Now, her resolve appears to be solidified,
irreversibly. When I considered writing this post, I thought deeply about my
position as a male commenting upon issues affecting women within society. There
are elements to the existence of a female that I cannot obviously know, but it
struck me that this 50-inch statue developed
by a company that itself has had a number of gender-equality issues,
has transcended its origins – its impact on me was considerable, but I wonder
what impact it would have on a girl, or a woman, examining it as I did. Would a
young girl take inspiration from the context within which the statue exists?
Obviously, there is no answer to that question, but one would certainly hope
so.
This consideration of the Fearless Girl’s impact upon women
of all ages, as well as men of all ages, led me to think about aspects that I
researched as part of this blog, and as part of past degrees. We have looked at
the issue of inequality on a few occasions here in Financial Regulation Matters, including variances such as gender
inequality, race
inequality, and many other variances. However, I was reading an article
in Business Insider recently that
cited a recent study into the issue of gender diversity at the CEO level, and
interestingly the correlation between that issue and the careers of those at
that level. The academic article, written by Vishal Gupta, Sandra C. Mortal,
Sabatino Silveri, Minxing Sun, and Daniel B. Turban for the Journal of
Management – entitled You’re
Fired! Gender Disparities in CEO Dismissal – aims to examine
‘whether CEO gender influences the likelihood of dismissal’. The researchers
discuss the opposing arguments within the literature that suggest, on one hand,
that women are given preferential treatment compared to men – ‘female
leadership advantage’ logic – whilst on the other hand women are disadvantaged
even after obtaining the highest organisational positions – the ‘glass cliff’ scenario
describes where ‘women in leadership positions face more perils and risks
compared to their male counterparts’. So, to examine this issue, the
researchers focused on large public firms in the US. Specifically, the study
uses board variable data, accounting data, stock return data, and a large
sample consisting of nearly 2,400 firms from 2000 to 2014 (CEOs who had been in
office for less than a year were not included as they are less likely to be
dismissed). The results of the study suggest a number of crucial
understandings. Though the total number of dismissals for men was substantially
higher, relatively ‘the percentage of
women dismissed is significantly higher than men’. Furthermore, the study finds
that ‘dismissal probability for female CEOs is less likely to be influenced by
changes in performance than male CEOs’. In addition to this, the study finds
that when a company is operating at ‘low levels of performance’, the dismissal
probabilities between the two genders do not differ, but when the
organisation’s performance improves the chances of a female CEO being dismissed
are significantly higher than that of their male counterparts. Ultimately, the
study concludes that female CEOs are 45% more likely to be dismissed, which is
an extraordinary statistic.
I will not discuss every element of the study, but its
findings are fascinating. The question is, however, what does it tell us in
reality? The scholars discuss the concept of ‘bias’ being commonly referred to
as one of the key issues, but that the study adds to the discussion by
confirming that women who break past the bias barrier are still extremely
vulnerable to having their livelihoods affected even after they reach the top of their fields. Bias, which is a
societal ill unlike most others, is clearly a core issue that must be
addressed, but those words mean very little. Yes, it must be addressed, but
how? That is a very difficult question to answer, and I do not offer a
quick-fire way that is achievable. One
way is to increase the education surrounding the issue, and studies like the
above help to influence that movement. However, it takes a commitment to that
education, and a real willingness to act upon an enlightened state that will
make the real difference. The issue is can that really happen in this world?
Nevertheless, if we return to the ‘Fearless Girl’ statue,
the effect of the understanding derived from the study is impactful. The hope
that I, and many others see as represented by the statue becomes contextualised
in a much different manner. For, say, a young girl looking at the statue opposite
the NYSE and dreaming of a high-flying career, what effect would the study
have? The positive spin would be that, when that young girl grew into a woman,
things may be different because of studies like the one above that highlight
the issue, and the pathway being developed for her by women who battle against
such bias even at the top of the hierarchy. A negative spin would be that a
vision is being developed at the ground-level which is not replicated nor
represented at the highest levels; the take-away sentiment is that, when it
comes to making money and leading
institutions, it is still regarded that a male will do a better job. Whether or
not this is technically correct is
another matter, and with the incredible amount of variables that would be
considered when attempting to scientifically examine that issue – though success
is success, and there is no reason why a male should be more competent than a
female, or a person of one race more competent than another in a balanced world
– it is not something to discuss here. But what is to be discussed is the
extraordinary impact that the concept of ‘bias’ has – it is fundamentally
attached to society and, if we were to take a holistic view, is perhaps the main impediment to equality. Yes,
again, education and enlightenment to these issues is important, but it will
take much more than that. It takes more than lip-service, and paradoxically to
this post, it takes more than a statue. What it will take is a fundamental and irreversible commitment to removing those barriers and examining
the competency of people, not just
categories of people. The study suggests that this competency-based assessment
is not the driving force behind decisions at the CEO-level, and that is
something that must change.
Yet, despite this, the ‘Fearless Girl’ is tremendously
important. As a piece of art it is impactful, but opening pathways of dialogue
on this issue is the statue’s greatest achievement. It strikes me that such a
diminutive piece of metal can be so impactful, but that is the beauty of the ‘Fearless
Girl’. Despite her origins (her ties to State Street should likely be ignored),
her new location, in my eyes, has elevated her importance. It draws people now
to the NYSE, and gives them the opportunity to reflect upon her performance
away from the hustle-and-bustle of the Charging Bull location. Whether or not
enough people take this opportunity to reflect and consider the issues at hand
are another matter, but one thing is for certain in light of the study we have
discussed in this post – the ‘Fearless Girl’s fearlessness is a necessary
characteristic for young girls and women of all ages in the pursuit of
equality. Furthermore, fearlessness is a necessary characteristic for all
people seeking equality. I encourage you all, if you visit the exceptional city
of New York, to visit this representation of equality in her new home.
Keywords – ‘fearless girl’; equality; politics; business;
bias; gender; @finregmatters
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